岭南插花源于岭南人爱花惜花的花事生活传统，深植于岭南日常生活情境之中。用情境概念，以王绍增先生境学的理论框架为依托，对清代岭南地区外销画与文人绘画等图像中的岭南插花情境特征展开研究。清代图像中的岭南插花常出现于居室生活、寺院供设、娱乐场所、市井生活、园林雅集5类生活情境。清代岭南插花具有世俗化、兼容性和务实性的岭南地域文化特色，体现出兼采中西、注重形式、调动感官、讲究时令、讲求高雅等特征。岭南插花情境是由空间、时间、感觉、感情、文化5个维度相互交融、有机结合而构建的。

Lingnan flower arrangement originates from Lingnan people's floral life tradition of loving flowers and cherishing flowers. It is deeply rooted in Lingnan people's daily life. Based on the concept of situation and the theoretical framework of Wang Shaozeng's environment science, this paper studies the situation characteristics of Lingnan flower arrangement in the images of Lingnan export paintings and literati paintings in the Qing Dynasty. The Lingnan flower arrangement in the images often appeared in five kinds of life situations: living room, temple, entertainment, market life and garden. The Lingnan flower arrangement in the Qing Dynasty has the characteristics of secularization, compatibility and practicality, reflecting the characteristics of combining Chinese and Western culture, mobilizing the senses, emphasizing the form, season and elegance and so on. And Lingnan flower arrangement situation is constructed by the integration of five dimensions: space, time, feeling, emotion and culture.

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国家自然科学基金青年科学基金项目《英石叠山匠作体系及其技艺传承研究》（编号51908227）、华南农业大学校级大学生创新创业训练计划项目（X202210564112）